In addition to UW-Whitewater’s general education requirements, Theatre and Dance students take a set of core courses and electives that will vary greatly depending upon major or emphasis. Select a program below to download the individual requirements. UW-Whitewater offers the following degrees: <ul> <li><a href="http://uww-public.courseleaf.com/undergraduate/arts-communication/theatre-dance/theatre-ba/" target="_blank" rel="noopener">Bachelor of Arts — Theatre</a> | <a href="documents/colleges/cac/CAC%20general%20-%20academic%20plans%2C%20etc/checksheets/theatre-BA-checksheet.pdf" target="_blank" rel="noopener">4-year plan [PDF]</a></li> <li><a href="http://uww-public.courseleaf.com/undergraduate/arts-communication/theatre-dance/theatre-bfa-design-technology/" target="_blank" rel="noopener">Bachelor of Fine Arts (BFA) — Theatre, Design/Technology emphasis</a> | <a href="documents/colleges/cac/CAC%20general%20-%20academic%20plans%2C%20etc/checksheets/theatre-BFA-designtech-checksheet.pdf" target="_blank" rel="noopener">4-year plan [PDF]</a></li> <li><a href="http://uww-public.courseleaf.com/undergraduate/arts-communication/theatre-dance/theatre-bfa-performance/" target="_blank" rel="noopener">Bachelor of Fine Arts (BFA) — Theatre, Performance emphasis</a> | <a href="documents/colleges/cac/CAC%20general%20-%20academic%20plans%2C%20etc/checksheets/theatre-BFA-performance-checksheet.pdf" target="_blank" rel="noopener">4-year plan [PDF]</a></li> <li><a href="http://uww-public.courseleaf.com/undergraduate/arts-communication/theatre-dance/theatre-bfa-stage-management/" target="_blank" rel="noopener">Bachelor of Fine Arts (BFA) — Theatre, Stage Management emphasis</a> | <a href="documents/colleges/cac/CAC%20general%20-%20academic%20plans%2C%20etc/checksheets/theatre-BFA-stagemgmt-checksheet.pdf" target="_blank" rel="noopener">4-year plan [PDF]</a></li> <li><a href="http://uww-public.courseleaf.com/undergraduate/arts-communication/theatre-dance/theatre-bse/" target="_blank" rel="noopener">Bachelor of Science in Education — Theatre</a> | <a href="documents/colleges/cac/CAC%20general%20-%20academic%20plans%2C%20etc/checksheets/theatre-BSE-checksheet.pdf" target="_blank" rel="noopener">4-year plan [PDF]</a></li> </ul> Minors: <ul> <li><a href="http://uww-public.courseleaf.com/undergraduate/arts-communication/theatre-dance/dance-minor/" target="_blank" rel="noopener">Dance</a></li> <li><a href="http://uww-public.courseleaf.com/undergraduate/arts-communication/theatre-dance/musical-theatre-minor/" target="_blank" rel="noopener">Musical Theatre</a> <ul> <li>Musical Theatre for Theatre Majors | <a href="documents/colleges/cac/CAC%20general%20-%20academic%20plans%2C%20etc/checksheets/Musical-Theatre-Theatre-Majors-Checksheet.pdf" target="_blank" rel="noopener">4-year plan [PDF]</a></li> <li>Musical Theatre for Music Majors | <a href="documents/colleges/cac/CAC%20general%20-%20academic%20plans%2C%20etc/checksheets/Musical-Theatre-Music-Majors-Checksheet.pdf" target="_blank" rel="noopener">4-year plan [PDF]</a></li> <li>Musical Theatre for non-Theatre/Music Majors | <a href="documents/colleges/cac/CAC%20general%20-%20academic%20plans%2C%20etc/checksheets/Musical-Theatre-Non-Majors-Checksheet.pdf" target="_blank" rel="noopener">4-year plan [PDF]</a></li> </ul> </li> <li><a href="http://uww-public.courseleaf.com/undergraduate/arts-communication/theatre-dance/theatre-minor/">Theatre</a></li> <li><a href="http://uww-public.courseleaf.com/undergraduate/arts-communication/theatre-dance/theatre-minor-elementary-secondary/" target="_blank" rel="noopener">Theatre Education</a> | <a href="documents/colleges/cac/CAC%20general%20-%20academic%20plans%2C%20etc/checksheets/Theatre-Education-Minor-Checksheet.pdf" target="_blank" rel="noopener">4-year plan [PDF]</a></li> </ul> <h2>25/26 Productions</h2> Eurydice by Sarah Ruhl Directed by Robyn Accetta Oct. 3 at 7:30 p.m. Oct. 4 at 2 p.m. Oct. 5 at 2 p.m. Oct. 9 at 7:30 p.m. Oct. 10 at 7:30 p.m. Oct. 11 at 2 p.m. Hicklin Studio Theatre “Eurydice” by Sarah Ruhl, directed by Robyn Accetta, offers a hauntingly beautiful reimagining of the classic myth of Orpheus and Eurydice. In a realm where memory fades and language fractures, Eurydice’s journey becomes one of rediscovery—of self, of love, and of the past she left behind. With poetic depth and striking imagery, this production explores transformation, redemption, and the possibility of renewal, even in the shadows of loss. “Eurydice” is presented by arrangement with <a href="https://www.concordtheatricals.com/" target="_blank" rel="noopener">Concord Theatricals</a> on behalf of Samuel French, Inc. <hr /> Scrooge’s Christmas: A Christmas Carol by Charles Dickens adaptation by Ken Jones Directed by Bruce Cohen Nov. 14 at 7:30 p.m. Nov. 15 at 2 p.m. Nov. 16 at 2 p.m. Nov. 20 at 7:30 p.m. Nov. 21 at 7:30 p.m. Nov. 22 at 2 p.m. Barnett Theatre "Scrooge’s Christmas: A Christmas Carol" directed by Bruce Cohen brings new life to Dickens’ classic tale in a fast-paced, heartfelt adaptation by Ken Jones. Ebenezer Scrooge is confronted by the ghosts of his past, present, and future, who lead him on a journey of redemption and transformation. You are sure to enjoy this fresh, theatrical spin on a timeless classic filled with humor, heart, and holiday spirit. Produced by special arrangement with Heuer Publishing LLC of Cedar Rapids, Iowa. <hr /> The Prom Book and Lyrics by Chad Beguelin Book by Bob Martin, Music by Matthew Sklar Directed by Robyn Accetta Musical Director Robert Gehrenbeck Feb. 20 at 7:30 p.m. Feb. 21 at 2 p.m. Feb. 22 at 2 p.m. Feb. 25 at 7:30 p.m. Feb. 26 at 7:30 p.m. Feb. 27 at 7:30 p.m. Feb. 28 at 2 p.m. Barnett Theatre Get ready for glitter, drama, and a whole lot of heart! "The Prom" directed by Robyn Accetta is a vibrant, feel-good musical that brings together an impactful story of queer love, Broadway glitz and small-town grit in a story bursting with humor, heart, and humanity. Full of show-stopping songs and powerful moments, this production celebrates redemption, transformation, and the joy of being seen. Whether you're here for the laughs, the love, or the glitter—there’s a place for you at "The Prom." THE PROM is presented through special arrangement with and all authorized performance materials are supplied by <a href="https://www.theatricalrights.com/" target="_blank" rel="noopener">Theatrical Rights Worldwide</a>,1180 Avenue of the Americas, Suite 640, New York, NY 10036. <hr /> DanceScapes ‘26 Artistic Director: Amy Slater March 14 at 2 p.m. March 15 at 2 p.m. March 18 at 7:30 p.m. March 19 at 7:30 p.m. Barnett Theatre Get ready to be thrilled by "DanceScapes ’26." This production, under the artistic direction of Amy Slater, includes a variety of original dance pieces choreographed by students, faculty, and a special guest artist. You don’t want to miss this captivating performance! <hr /> The Liar by Pierre Corneille translated by Richard Wilbur Directed by Bruce Cohen April 24 at 7:30 p.m. April 25 at 7:30 p.m. April 26 at 2 p.m. April 30 at 7:30 p.m. May 1 at 7:30 p.m. May 2 at 2 p.m. Hicklin Studio Theatre Wit and deception collide in "The Liar" by Pierre Corneille, brought to life through Richard Wilbur’s masterful translation and directed by Bruce Cohen. A charming trickster’s web of falsehoods spirals into chaos, setting the stage for unexpected truths and personal awakenings. Through sharp comedy and heartfelt twists, this classic tale explores the redemptive power of honesty and the possibility of transformation. Join us for a vibrant journey where every lie brings us closer to the truth. <hr />   <h2>Scene and Costume Shops</h2> Jobs are available in our scene and costume shops for all students regardless of major. Contact our faculty for more information. Ruth Conrad-Proulx Technical Director <a href="mailto:conradpr@uww.edu">conradpr@uww.edu</a> | 262-472-1561 Department Office <a href="mailto:thtrdnce@uww.edu ">thtrdnce@uww.edu </a> | 262-472-1566 <hr />   <h2>Auditions</h2> Unified Auditions for the First Two Shows in the 2026/27 UWW Theatre/Dance Season "Burn This" by Lanford Wilson "Summer and Smoke" by Tennessee Williams In-Person Auditions: Saturday, March 7, 11 a.m. - 2 p.m. in the Hicklin Studio Theatre Callbacks: Immediately following in-person auditions in the Hicklin Studio Theatre: <ul> <li>Burn This: 2 - 3 p.m.</li> <li>Summer and Smoke: 3 - 4 p.m.</li> </ul> This is an open call, and the entire campus and Whitewater community are invited. You do not have to be a Theatre/Dance major or UW-Whitewater student to audition. PLEASE NOTE: ALL admitted BFA-Performance students and ALL pre-BFA-Performance students are expected to audition for all productions and perform as-cast. Please be aware that non-participation in a department mainstage audition and refusal to accept a role as-cast will constitute a breach of the BFA degree track expectations and may damage and/or prevent progress toward achieving the BFA-Performance. Please refer questions about this policy to Prof. Eric Appleton (Chair), or Prof. Robyn Accetta (Head of Acting). --- Play #1: Burn This Written by: Lanford Wilson Directed by: Bruce Cohen Rehearsal Dates: September 2 – October 1 Rehearsal Times: Mondays – Fridays: 7 – 10 p.m. Saturdays: 7 – 10 p.m. Performance Dates: Friday, October 2 at 7:30 p.m. Saturday, October 3 at 2 p.m. Sunday, October 4 at 2 p.m. Wednesday, October 7 at 10 a.m. (Student Matinee) Thursday, October 8 at 7:30 p.m. Friday, October 9 at 7:30 p.m. Saturday, October 10 at 2 p.m. Strike: Sunday, October 11, 9 a.m. - 3 p.m. Production Information: Set in a downtown New York loft in the mid-1980s, "Burn This" begins in the aftermath of a sudden death. Anna, a professional dancer, is struggling to steady herself after the loss of her roommate and creative partner, Robbie. When Robbie’s brother Pale arrives, grieving, volatile, and incapable of emotional restraint, the careful order of Anna’s world begins to unravel. At its heart, "Burn This" is a play about grief, artistic identity, and the risk of intimacy. It asks what happens when control meets chaos, when safety collides with aliveness, and when language isn’t enough to express what the body is carrying. This production will incorporate structured physical storytelling and intimacy work as part of the dramatic language of the piece. Movement will be used to heighten emotional pressure and reveal inner life. No advanced dance experience is required; what matters most is emotional availability, responsiveness, and a willingness to engage physically in a thoughtful, collaborative process. This is a demanding, actor-centered play that requires precision with language, strong listening skills, and a readiness to explore vulnerability with care and discipline. Available Roles: All roles will be cast irrespective of conventional gender norms. <ul> <li>ANNA – A professional dancer; intelligent, contained, and deeply guarded.</li> <li>PALE – Robbie’s brother; intensely verbal, grieving, emotionally unfiltered, and unpredictable.</li> <li>BURTON – Thoughtful, stable, and well-mannered; represents structure and security.</li> <li>LARRY – Grounded, observant, and wry; a steady presence amid upheaval.</li> </ul> --- Play #2: Summer and Smoke Written by: Tennessee Williams Directed by: Robyn Accetta Rehearsal Dates: October 12 – November 12 Rehearsal Times: Mondays – Fridays: 6 – 9 p.m. Saturdays: 11 a.m. – 4 p.m. Performance Dates: Friday, November 13 at 7:30 p.m. Saturday, November 14 at 2 p.m. Sunday, November 15 at 2 p.m. Wednesday, November 18 at 10 a.m. (Student Matinee) Thursday, November 19 at 7:30 p.m. Friday, November 20 at 7:30 p.m. Saturday, November 21 at 2 p.m. Strike: Sunday, November 22, 9 a.m. - 3 p.m. Production Information: "Summer and Smoke" is a lyrical, psychologically rich Southern drama about longing, morality, and the cost of wanting what you’ve been taught not to want. Set in 1916 in Glorious Hill, Mississippi, Alma Winemiller, the reverend’s daughter, shares a complicated bond with her neighbor John Buchanan Jr., the town doctor’s son. Alma is drawn to John, but their values clash: she reaches toward spiritual refinement while he pursues physical pleasure. When Alma finally risks vulnerability and reaches for the life she has denied herself, she finds that John has already chosen a different future. This play includes mature themes including sexuality and repression, moral judgment/religious pressure, references to illness and mortality, alcohol use, and emotional intensity and will include staged romantic and physical intimacy. We will approach all physical storytelling with a consent-forward, choreography-based process. While dialects are NOT required at auditions, this production will explore a Mississippi/Deep South dialect base with individualized adjustments by character. Dialect coaching and resources will be offered during rehearsals. Available Roles: <ul> <li>REV. WINEMILLER - Alma’s principled father, town moral compass</li> <li>MRS. WINEMILLER - Alma’s mercurial mother, fragile faded belle</li> <li>JOHN BUCHANAN JR. - charismatic young doctor, pleasure-first provocateur</li> <li>ALMA WINEMILLER - high-strung minister’s daughter, yearning “soul”</li> <li>ROSA GONZALES - Moon Lake siren, unapologetic appetite for life</li> <li>NELLIE EWELL - bright proper young woman, “respectable” future wife</li> <li>ROGER DOREMUS - traveling salesman, opportunistic charm merchant</li> <li>DR. JOHN BUCHANAN SR. - John’s formidable father, pragmatic patriarch</li> <li>MRS. BASETT - civic busybody, chaperone with opinions</li> <li>VERNON - would-be playwright, artistic hanger-on</li> <li>ROSEMARY - Alma’s social-club companion, small-town gentility</li> <li>DUSTIE - working-class townie, blunt heat and muscle</li> <li>GONZALES - Rosa’s father, Moon Lake’s proprietor</li> <li>ARCHIE KRAMER - local roughneck, trouble in human form</li> </ul> Some tracks may double up characters. --- Audition Information: <ul> <li>Auditions will consist of a 5-minute slot in which you will present 1 short monologue.</li> <li>Monologues must be memorized.</li> <li>Sides will be provided for callbacks.</li> <li>Walk-ups accepted as time allows.</li> </ul> Hard Copies of Full Scripts: We encourage everyone auditioning to familiarize themselves with each script. This allows for full transparency around the content of each play and helps inform your audition. Please find copies of both scripts available to students in the Theatre Green Room and Orange Room Library for perusal. Sign-Up: To reserve an audition slot, please sign up using the <a href="https://docs.google.com/forms/d/e/1FAIpQLSd2UgmA3zCPKhBve0lZEzvYHV-l5KE9wsg7koXVK4ZLOCTaKg/viewform" target="_blank" rel="noopener">online form</a>. The sign-up form will ask you to upload a resume and a headshot. No formal headshot is required, just a clear and close-up picture from the shoulders up is acceptable. Please arrive at least 5 minutes early to your registered time slot. Callbacks will be held in person same day and actors will be notified by the end of the hour if they are being asked to attend. Callbacks will consist of cold readings of sides from the script. Sides are available to actors outside of the Department of Theatre Office. Hard copies will also be available at auditions on the day. If you have questions relating to "Burn This" please reach out to Bruce Cohen at <a href="mailto:cohenb@uww.edu">cohenb@uww.edu</a>. If you have any questions relating to "Summer and Smoke," please reach out to Robyn Accetta at <a href="mailto:accettar@uww.edu">accettar@uww.edu</a>. Thanks, and can't wait to see you!